Decided to test the little Sena Prism Tube at night. I'm still enjoying it and the night jaunt only made my fondness grow. Its simplicity trumps er...let me change that word...its simplicity has won me over. The camera's shortcomings are too few to worry me (e.g., making sure it's aligned, which requires some guesswork; the annoying wind noise; and, my protruding helmet in the camera view).
Really, though, those are user issues--nothing to do with the camera. The snap-and-go is what makes it work for me. I'm still fiddling, still trying out some of the microphones I've amassed over the years, still looking for one of the little wind curtain that comes with purchasing a Nolan helmet. Still needing to get on the rode for a nice spring trip.
Here's a slice of a night ride. To me, the Sena Prism Tube passes the test.
It is that time of year again when the call of the road is loud
and relentless. Jesse Owens II is home from winter camp and itching to take me
far and wide. So far, however, all we've done is ride back and forth to school.
But that brief ride is enough to start the day with a heart full of joy.
This season I will ride with a new toy after finally acquiring a
Sena Prism Tube. As the owner of four previous helmet action cameras, I'm
liking this one the best. Yes, even better than the renowned, popular GoPro that
I once owned; I like it better than the Drift Stealth that I traded the GoPro
for and still own; and, even better than two other helmet cams whose names I've
forgotten and never even used on the ‘cycle. That makes a total of five helmet
cams I've owned. Only the Sena and Drift have inspired me to try my hand at moto-vlogging.
So, for those looking for a
simple, snap on helmet mounted action camera, I offer this review of the Sena
Prism Tube.
What I like: It's no nonsense;
simple to set up; no tiny window to scroll through to access features; no
pairing with a phone; unburdened by multiple mounts; and, did I say, "easy
to set up." Of the helmet cams I've owned, this one is intuitive and seems
the best design for snapping on a helmet and going! Mounting on a helmet is
quick and simple. A sturdy clip can be screwed to helmet and the camera inserted
in the mount. This works well if the helmet is devoid of a lip or flap that
goes underneath the helmet. This method did not work securely on my Nolan
modular helmet but worked fine on my full-face Scorpion. However, even on the
Scorpion I was never able to adhere it so securely that the screw-on mount didn't
move a little when adjusting the camera or turning it on and off. However, the
stick-on mount works great on the Nolan, which is my preferred helmet. Moreover,
I like the camera's 125-degree wide angle lens and its ability to adjust to
light variations quickly. It records in full HD 1080p at 30FPS—so some the
30FPS is unacceptable. To me, it is not. I have yet to try the camera at night, but
when driving into a dark garage the camera's eye adapts quickly.
What I like most is that
everything you need to get going is included in the box. No need to buy a
microphone because a wired mic is included as is a USB cable for the speaker
and microphone. You will need to supply a micro SD card up to 32GB. In addition
to a microphone, the Sena Prism Tube comes with a speaker, which is a bonus
because it removes the guesswork from wondering if the camera is recording.
When turned on, a voice prompt will announce: "Camera on, recording."
When the camera is turned off the voice announces, "Camera off."
Sweet! I can recall many times I rode thinking a camera was recording only to
learn later that it wasn't. Not with the Sena Prism Tube. I read that there is
also a warning of low battery but I can't confirm that as I've not gotten that
far yet.
What I don't like: Actually,
not much. I'm not looking for professional quality video. I'll be okay with
good enough. If I venture into moto vlogging, I'll up grade if necessary. The Sena did take
some fiddling to get the camera angle straight on the helmet. For the first few
test rides the camera was a bit cock-eyed. With the help of YouTube, I learned
from other users how to solve the lop-sided perspective. My preferred method is
putting the helmet on and looking into the mirror and straightening the camera.
I can then test the angles out and play back on my computer to check.
Easy-peasy. I read also that using a bubble level with the helmet and
camera mounted and placed on a flat surface also works. Once mounted on the
helmet, the Sena can be moved back and forth as well as inward and outward from
the helmet, giving the rider considerable range in camera angle. The wind has been an unpleasant challenge. I don’t blame the
camera. It’s more a mic issue I’m guessing. The Nolan has a wind curtain that
fits under the chin of the helmet. I need to find that to see if it will cut
down on the wind noise. One some YouTube videos the wind is awful, on others,
using the same camera, the wind is almost nonexistent. Weather conditions
surely matter and we’ve had some truly windy days. Helmet style and quality surely matters too. Still, I’d like to get the wind interference under better control. Otherwise, I have no complaints.
Loving the Sena Prism Tube--and being
back on two wheels...
